2017-18 Spring
(HART 1026)
1 Credit | Can be used to fulfill Common Core Requirement (Core Elective: Arts Area)
Teaching Medium: English
Course Description
This course introduces the basic concepts of theatre performance. Through theatre games, improvisation and in-class weekly based practices, students could explore their own potentials, creativities and train their senses. Since speaking is one of the major requirements for an actor, this course also examines the aspects of voice production and public speaking skills. Students will learn to free their voice and examine the intimacy between voice and acting.
- Understand basic theories behind the theatre games and improvisations
- Understand basic concepts of public speaking
- Apply knowledge from acting to public speaking
- Show ability to communicate verbally with audience in an effective and confident manner
Remarks:
Lessons in this course may last for 2 hours or 3 hours depending on the course content. Please refer to the Course Topics below for details.
PART 1: Introduction to Games, Improvisation, Acting and Vocal Technique
Session 1: Introducing theories on Theatre Games and Improvisation
Session 2: Introducing theories on Acting and Vocal Technique
Session 3: Exploring the relationship between games, creativity and acting
Session 4: Exploring the relationship between improvisation, acting and speaking
Session 5: Physicalization of a speech
Session 6: First mini-presentation and interaction with the audience
PART 2: Rehearsal and performance of a monologue
Session 7: Learning a dramatic monologue
Session 8: Identifying the context, objective, actions and beats in the monologue
Session 9: Application of vocal technique, connection of body, thoughts and feelings
Session 10: Final Rehearsal
Session 11: Presentations of the Monologues
- Zinder, David. (2009) Body Voice Imagination: Imagework Training and the Chekhov Technique. London: Taylor & Francis.
- Hagen, Uta. (2008) Respect for Acting. Macmillan Publishing Company. Chichester: John Wiley & Sons.
1. Improvisation for The Theatre, 2nd paperback printing, Viola Spolin, Northwestern University Press, 1985
2. Freeing the Natural Voice, 1st edition, Kristin Linklater, Drama Book Publishers, 1976
3. Voice and The Actor, 1st edition, Cicely Berry, , Macmillan Publishing Company, 1973
4. Theatre Games, 4th edition, Clive Barker, Methuen London Ltd., 1983
Enrolment Details
Course Registration : 25-26 Jan 2018Add/Drop : 01-14 Feb 2018
Instructor
Krissy Yin LAM
Assessment
Class Participation | 15% |
Weekly Class-based Exercises | 25% |
Written Assignment | 30% |
Final Practicum Assessment | 30% |
Class Schedule
Friday | 13:30–16:20
LG4-26 Multi-function Room, Library
No Class | 16 Feb, 23 &30 Mar